A PHENOMENOLOGICAL APPROACH UPON THE ESSENCE OF ARCHITECTURAL PRODUCTION

Abstract

The notion of „being‟ is known as one of the initial problems of philosophy. Depending on its structure and existence, the architectural object has a convenient position to be reviewed in this context. From Plato to present, the question of existence has changed its focus from the universe to the individual, and the attempt to define the answers continues in a dynamic way. Architecture can carry existential concerns within itself as an object produced by a subject in the current philosophical system in which the acquisition of knowledge evolved from mental processes to bodily processes in the period between Kant and Merlau-Ponty. From this point of view, it is possible to talk about the concept of body in philosophical foundation as existentially as well as the body of architectural structure. This paper searches the possibility to make an existential reading through the reviewing of architectural products. The basis of the study is the assumption that the architect's design decisions and the architectural object itself can create an existential posture and this phenomenon can resist in time with the awareness of the architect. In this regard, this paper attempts to discuss the selected works of Carlo Scarpa as an architectural discourse through phenomenological approaches.